The first season did a fine job of transforming Tom Hiddleston’s Norse God of Mischief from a bad guy to something of a good guy, taking him out of his black Asgardian leathers and plopping him in a shirt and tie and giving him a complement of ordinary feelings - including a romantic interest in Sylvie (Sophia Di Martino), a female version of himself from another timeline.
This week the Marvel Television Universe brought forth the second season of “Loki,” a sometimes dark, sometimes moving, generally delightful comedy of branching timelines, the militarized bureaucracy that corrects them for good and/or evil and heroic antiheroes trying, as you might find yourself doing, to make sense of it all.
